Hollywood puts the kibosh on Gosnell movie

“Hollywood's refusal to distribute the Gosnell movie is a politically-motivated double standard because the Gosnell movie is a true story and it shines a negative spotlight on abortion,” film's producers say
AlphaCare's new location, just one wall away from Kermit Gosnell's shuttered abortion clinic. (Photo Courtesy: AlphaCare)

AlphaCare’s new location, just one wall away from Kermit Gosnell’s shuttered abortion clinic. (Photo Courtesy: AlphaCare)

The following comes from a November 30 Pregnancy Help News article by  Jay Hobbs:

Hollywood may be too afraid to tell the truth about abortion, but the same doesn’t go for AlphaCare, a pro-life medical clinic set to relocate its services just a wall away from Gosnell’s former office this December.

AlphaCare’s move, slated for Dec. 19, will mark a significant step for the pregnancy center and two of its leaders—Karen Hess and Kim Bennett—who have been praying and planning to bring hope and healing to the neighborhood since 2011.

Having served women since 1981 within just a few miles of the Lancaster Ave. site it will now call home, AlphaCare is bringing its free ultrasounds, free pregnancy testing, options counseling, post-abortive healing, parenting education and more to many of the same women on whom Gosnell preyed for three decades.

A major impetus for Hess and Bennett—herself post-abortive—is to help women and families in the immediate area heal after so many years of oppression, and an estimated 40,000 lives lost through abortion.

“There is a darkness in what took place in that neighborhood and the impact of that business in that corner of the city,” Bennett told Pregnancy Help News in January. “To be able to go in there and begin to redeem it, even from our two row homes, is huge. It’s huge to be able to be a light in an area where there was so much darkness.”

Suppressing the “Controversial” Truths of Abortion and Murder

For over 30 years prior to his arrest and ensuing convictions in 2013—which included three guilty verdicts of murder in the first degree—Gosnell operated what one government investigator famously called a “House of Horrors.”

At Gosnell’s clinic, babies were not only routinely killed after they were born alive, but conditions were so unsanitary and medical attention so derelict that at least one woman, Karnamaya Mongar, died after a botched procedure at his clinic.

While media coverage of the trial and gruesome details uncovered in the investigation of Gosnell’s practice has been scant to say the least—a trend famously called out during the trial by syndicated columnist Kirsten Powers—Wednesday marked another milestone in the media’s ongoing blackout of the story.

As Mollie Hemingway pointed out this summer at The Federalist, one of the few reporters who covered the case from the courtroom tweeted, “Sat through a full day of testimony at the Kermitt (sic) Gosnell trial today. It is beyond the most morbid Hollywood horror. It will change you.”

In an email to supporters Wednesday, producers Phelim McAleer and Ann McElhinney announced that, after having shown their film to “every major distributor in Hollywood,” not one of those companies would agree to move forward on a deal, citing the “controversial” nature of the movie.

Starring Nick Searcy and Dean Cain, a record-breaking 30,000 individual supporters sponsored the entirety of the film’s $2.3 million-plus budget at Indiegogo.com. The producers had originally started a KickStarter.com campaign to raise the money, before that site censored their project.

“The Best Film About Abortion Ever Made”

While McAleer told Breitbart News’ Daniel Nussbaum he is kept by non-disclosure agreements from telling which distributors refused to move forward with the film, test screenings “scored off the charts.”

Pro-life advocate David Daleiden, whose three-year undercover research revealed the abortion industry’s illegal underground market in the body parts of aborted babies in 2015, said it “is the best film about abortion ever made.”

Intentionally lacking any graphic scenes or unnecessary depictions, the film is rated PG-13, accomplishing a major goal of the production team to remove any legitimate obstacles to its release, per Nussbaum’s report.

“Hollywood’s refusal to distribute the Gosnell movie is a politically-motivated double standard because the Gosnell movie is a true story and it shines a negative spotlight on abortion,” the producers wrote in Wednesday morning’s email.

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Comments

  1. St. Christopher says:

    Why is this a shock? These are Satan’s children. They are hardly going to do something that does a disservice to Dear Old Dad. Without the movie going forward (although one thinks that it will be distributed, somehow and way), Satan’s bambini will have more time to suck up to the willing Bishop McElroy and others of his ilk. He will surely be flattered, as they convince him (and others, many, many others) that Man has all the answers, that you cannot live by “rigid” rules (oops, who also said that??), and the Church has had it really wrong all these centuries. Luther was surely correct, as was Screwtape, in saying that the “safest road to Hell is the gradual one. . .” B. McElroy is on the slippery slope now, having chastised…

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