Abortion romantic comedy Obvious Child so cool

The following comes from a Jan. 20 story in the Sundance Review. At last year’s Sundance, Lake Bell’s wonderful In a World stuck to the conventional tenets of a romantic comedy while featuring the feminist theme of a woman trying to make it in the sexist industry of trailer voiceovers. At this year’s Sundance, Gillian Robespierre’s equally winning Obvious Child, an entry in … [Read more...]

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